Story by James Robinson
Art by Tula Lotay
Well, this book just keeps getting better. Each issue is a done-in-one story with a different artist that successfully captures the mood Robinson is aiming for with each tale. This one is no different.
Wanda stays home in this issue, and we see her visiting a psychiatrist named Dr. Grand. Each session she hands the man an envelope that contains his required payment, after which she then unburdens herself. This time around Wanda talks about her mother, who we found out in #4 was Natalya Maximoff. This leads into the history of Wanda Maximoff as she knows it. In her own words. Right now, she knows she was that she was the adopted daughter of Django and Marya Maximoff and was taken as an infant by the High Evolutionary to be experimented upon, along with her brother, Pietro. Apparently, the experiments gave Pietro his speed and made Wanda somehow susceptible to magic. But he deemed the experiments a failure and returned them to the elderly Maximoffs. Dr. Grand points out that Natalya's last name is the same as the name of her adopted parents, and Wanda says she's still looking into a connection between them.
In any case, back to the main story, Dr. Grand suggests Wanda is trying to ignore her past instead of accepting it and moving on to a brighter future. He suggests she is still subconsciously wanting other people (like her brother and her former teammates in the Avengers) to help her, instead of trying to help herself. He suggests Wanda is afraid to accept her children, Wiccan and Speed of the Young Avengers, when she mentions she barely sees them, that she is afraid to see them.
This gives Wanda things to think about. A week later, she comes to see Dr. Grand again, and she thanks him for his advice. She has thought about everything he said and has come to realize that she needs to accept the things she's done in the past in order to move on to a more positive future. Wanda then tells Dr. Grand that the jig is up. She knows who he really is and what he's been doing to her. She's known since the beginning that he saw her on the street one day, recognized her, and used hypnosis to subtly influence her into seeing a therapist, particularly himself. She knows that he's been subtly influencing her to steal jewelry from all over the world (during her adventures in the previous seven issues) to pay for her sessions, but what he doesn't know is that she had cast spells to make him think the jewelry she gave him was real and not the fake glass junk she's actually been passing on to him. Wanda also tells him she recognized who he was right away, despite him having grown a beard in hopes to change his appearance and fool her. We learn that the psychiatrist is not Roland Grand, but Manyard Toboldt, aka the Ringmaster of the Circus of Crime. He hopes Wanda will let him go since she says he genuinely helped her, but she summons the police officers waiting outside his office to come arrest him. However, Wanda thanks the Ringmaster once again for helping her, as his advice was sound, despite his devious intent. And the Ringmaster surprises us all when he says he's glad she helped her. At least his psychiatric talents were put to good use this time, instead of always being used to manipulate the Circus into doing things for him.
Robinson knows how to tap into the vast well of the Marvel Universe, choose a lesser used character, and craft a nice little story around them. His did this twice before in this very series, with the Man-Bull in #2 and Le Peregrine in #6. Instead of creating a new character that would likely never be used again, he chose the Ringmaster and fleshed out a side of the villain we rarely get to see. Well done!
And so, the search for Wanda's true heritage begins with this issue, which acts as a prologue. As mentioned before, Wanda's journey continues in SCARLET WITCH #11, where she returns home to confront the High Evolutionary. This will continue into the next issue, and then Wanda's search continues in #13 when she returns to the Witches Road to try and locate her mother, Natalya Maximoff. I'm looking forward very much to this journey.
I'd be remiss if I didn't mention the art by Tula Lotay. It was very stylish and fit the tone of the story quite well. Perhaps we'll see her art grace these pages again in the future.
One final thought or two: Right now, I think that Natalya may be the lost daughter of Django and Marya Maximoff, which would make them Wanda's natural grandparents, instead of her adopted parents. I am also wondering maybe that Natalya may actually be Magda, Magneto's wife, as the name Magda is very similar to Marya. This would mean that Magda really is Wanda and Pietro's mother, but she changed her name after she left Magneto in order to hide herself better. Along the way, she met someone who is the father of the children, got pregnant, and then made her way to Wundagore Mountain to give birth to them. Then she vanished into the night, possibly returning to the Witches Road to continue hiding from Magneto. This would also explain why Magda and Wanda look almost exactly alike. Just some speculation.
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